The moon must be sick of being in poems –
always gripped by fingers of late honeysuckle,
always filtered in the lake through the jetty’s slats,
always silvering the flicked tails of the koi.
Always a dinner plate or mirror,
always a fingernail clipping, a grin.
The moon must be sick of being in poems.
Always the bright pin in the picture’s corner,
always looking in at the windows of middle class homes.
Always shoved above a bridge in Paris or Venice,
always an eyeball or symbol,
always a radiant woman, a bowl.
It’s also in the splintered windscreen of the crime scene
with its blots of blood. It’s hung over the pig farm,
streaking white across the silo’s cheek
and slanting through the lorry walls in blades.
It’s in every dented can at the landfill pit,
turning the tip to a shoal of dirty fish.
Never the buried skull,
never the gummed plug in the junkie’s sink.
Never the white cat under the truck’s wheel,
never the beached and stinking jellyfish.
Never the gallstone or the pulled tooth, of course.
Nobody wants to read poems about this.